disadvantage children charity

With the simple smile only than we can change the world
Sumber dari Jakarta (ANTARA News) - Satu juta lebih anak usia sekolah di Indonesia putus sekolah karena ketidakmampuan ekonomi keluarga, berdasarkan data Depdiknas tahun ajaran 2007, terdapat 1.039.067 anak usia sekolah harus meninggalkan bangku sekolah, ini sangat memprihatinkan, sedangkan data BPS hingga kini hanya 3,3 persen dari seluruh penduduk Indonesia yang mengenyam bangku perguruan tinggi.Tingginya anak putus sekolah tersebut menggugah hati nurani kami untuk membantu anak2 putus sekolah dengan cara menghimpun dana melalui pengunjung web iklan kami ini, kiranya bapak/ibu memberikan setetes penghasilan saudara untuk membantu sesama sehingga mereka bisa melanjutkan pendidikan hingga tamat sekolah.
" Dana yang terkumpul akan kami kelola secara professional dan benar2 akan kami awasi pelaksanaanya, dan saudara sendiri bisa mengecek penyaluran dana-nya karena kami akan selalu mengupdate data2 lengkap kepada saudara sekalian mengenai calon anak didik , lengkap dengan nama, alamat sekolah, tanda tangan kepala sekolah (sebagai pihak yang bertanggung jawab), dan ucapan terima orang tua murid " .

Kami persilahkan anda segera berbagi untuk sesama, "need both sunshine and rain to make rainbow"

BCA 5375010574 A/N Yulius Iwan Suseno


Hormat saya


Iwan Suseno
Founder of independent charity for education & disadvantage people.
iwansuseno4@hotmail.com
081316314930
· **Iklan ini saya buat hanya semata prihatin dan saya sebagai facilitator melihat anak2 Indonesia yang harusnya kelak menjadi seorang dokter, guru, polisi, pengusaha, tapi hanya karena biaya mereka hilang harapan

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Wayang kulit

Wayang kulit, shadow puppets prevalent in Java and Bali in Indonesia, are without a doubt the best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of the puppets that are carefully chiseled with very fine tools and supported with carefully shaped buffalo horn handles and control rods.The stories are usually drawn from the Ramayana, the Mahabharata or the Serat Menak. The island of Lombok has developed its own style of Serat Menak called "kazangiloonga".

There is a family of characters in Javanese wayang called Punakawan; they are sometimes referred to as "clown-servants" because they normally are associated with the story's hero, and provide humorous and philosophical interludes. Semar is the father of Gareng (oldest son), Petruk, and Bagong (youngest son). These characters did not originate in the Hindu epics, but were added later, possibly to introduce mystical aspects of Islam into the Hindu-Javanese stories. They provide something akin to a political cabaret, dealing with gossip and contemporary affairs.

The puppets figures themselves vary from place to place. In Central Java the city of Surakarta (Solo) is most famous and is the most commonly imitated style of puppets. Regional styles of shadow puppets can also be found in West Java, Banyumas, Cirebon, Semarang, and East Java. Bali produces more compact and naturalistic figures, and Lombok has figures representing real people. Often modern-world objects as bicycles, automobiles, airplanes and ships will be added for comic effect, but for the most part the traditional puppet designs have changed little in the last 300 years.

Historically, the performance consisted of shadows cast on a cotton screen and an oil lamp. Today, the source of light used in wayang performance in Java is most often a halogen electric light. Some modern forms of wayang such as Wayang Sandosa created in the Art Academy at Surakarta (STSI) has employed spotlights, colored lights and other innovations.

The handwork involved in making a wayang kulit figure that is suitable for a performance takes several weeks, with the artists working together in groups. They start from master models (typically on paper) which are traced out onto kulit (skin or parchment), providing the figures with an outline and with indications of any holes that will need to be cut (such as for the mouth or eyes). The figures are then smoothed, usually with a glass bottle, and primed. The structure is inspected and eventually the details are worked through. A further smoothing follows before individual painting, which is undertaken by yet another craftsman. Finally, the movable parts (upper arms, lower arms with hands and the associated sticks for manipulation) mounted on the body, which has a central staff by which it is held. A crew makes up to ten figures at a time, typically completing that number over the course of a week.

The painting of less expensive puppets is handled expediently with a spray technique, using templates, and with a different person handling each color. Less expensive puppets, often sold to children during performances, are sometimes made on cardboard instead of leather.

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